{"title":"Jazz","description":"\u003cp\u003eShop jazz vinyl records on FINDLY.\u003c\/p\u003e","products":[{"product_id":"roy-ayers-ubiquity-vibrations-lp-vinyl","title":"Roy Ayers - Ubiquity Vibrations (LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eRoy Ayers spent the mid-1970s operating at a creative peak that few artists in any genre could match, and *Vibrations* captures him right in that sweet spot, balancing his jazz vibraphone roots with the soul and funk currents running through New York's club scene. Released the same year disco was reshaping the city's dancefloors, the album holds its ground as something more nuanced, a set that rewards both the crate digger and the careful listener equally.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eIn the digging world, is there a more solid musical catalog than that of Roy Ayers Ubiquity? The catalog starts strong with the iconic He's Coming and ends strong with the equally iconic Lifeline. There's no late seventies fizzle like other decade spanning artists, and everything in between seems to be a digger's staple. 1976's Vibrations is Ubiquity's penultimate record. What always impressed me about this particular album is the diversity of musical styles from track to track. I haven't listened to this in a couple years, and I'm taken back by it's unusual flow. Yeah, we all know about the Pete Rock-sampled \"Searchin,\" but followed by the hard funk of \"One Sweet Love To Remember\"; the breezy title track (almost like a sequel to \"Everybody Love's The Sunshine\"); the spastic boogie of \"Moving, Grooving\"; to the hard midtempo drums of \"Baby You Give Me A Feeling\"... it becomes an inseparable part of the bigger picture. You'll find the theme on the equally strong A-side, check \"Domelo,\" \"Baby I Need Your Love\" and \"Higher\" for a taste. Always loved the grainy cover photography too. 11 tracks in all, recommended.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003cdiv data-bt-autogen\u003e\n\u003c!-- TRACKLIST_START --\u003e\n\u003ch3\u003eTracklist\u003c\/h3\u003e\n\u003ch4\u003eSide A\u003c\/h4\u003e\n\u003cdiv\u003e1. Domelo (Give It To Me) (4:00)\u003c\/div\u003e\n\u003cdiv\u003e2. Baby I Need Your Love (2:30)\u003c\/div\u003e\n\u003cdiv\u003e3. Higher (4:02)\u003c\/div\u003e\n\u003cdiv\u003e4. The Memory (4:31)\u003c\/div\u003e\n\u003cdiv\u003e5. Come Out And Play (3:45)\u003c\/div\u003e\n\u003cdiv\u003e6. Better Days (3:17)\u003c\/div\u003e\n\u003ch4\u003eSide B\u003c\/h4\u003e\n\u003cdiv\u003e1. Searching (4:10)\u003c\/div\u003e\n\u003cdiv\u003e2. One Sweet Love To Remember (4:20)\u003c\/div\u003e\n\u003cdiv\u003e3. Vibrations (3:00)\u003c\/div\u003e\n\u003cdiv\u003e4. Moving, Grooving (5:01)\u003c\/div\u003e\n\u003cdiv\u003e5. Baby You Give Me A Feeling (3:02)\u003c\/div\u003e\n\u003c!-- TRACKLIST_END --\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 602488520959\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Vampisoul\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 6.26.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":50286635712739,"sku":"170561235","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/4834\/4547\/files\/packshot-ayers-roy-ubiquity-vibrations-vinyl-lp-relix.jpg?v=1790290058"},{"product_id":"darryl-jenifer-the-weather-channel-red-lp-vinyl","title":"Darryl Jenifer – The Weather Channel (Red LP Vinyl)","description":"\u003cdiv class=\"relix-editorial\"\u003e\n\u003cp\u003eDarryl Jenifer has always operated at the intersection of raw power and spiritual seeking, and his bass work with Bad Brains placed him in conversation with jazz and reggae as much as hardcore punk. 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Across it's warm synths, fluttering basslines, meditative voice notes and spiritual grooves, the Los Angeles- based producer, vocalist and composer maps the uncertain terrain between heartbreak, healing, fear, and surrender.The album's title is genuine. \"\"The record is literally my intentions,\"\" she says. \"\"It's a representation of my intentions, my dreams over the last five years or so.\"\" Those years carried the weight of upheaval: the pandemic, the collapse of a long-term relationship, a move away from Chicago, and the disorientation that follows when the structure of your life suddenly disappears beneath you. But Intentions never sounds defeated. 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Callier recorded this debut for Cadet while still working as a computer operator at the University of Chicago, a reminder that some of the most visionary music gets made entirely outside the industry's machinery.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eThere are records that belong to a moment, and there are records that somehow create a world of their own. Terry Callier's 1972 masterpiece Occasional Rain is one of the latter. Recorded in Chicago and produced by the legendary Charles Stepney, Occasional Rain was the beginning of Callier's extraordinary run of albums for Cadet Records. Callier arrived with a voice and musical language that refused easy classification: part folk storyteller, part jazz musician, part soul singer, with gospel, blues and psychedelia moving through everything he did. Stepney-the visionary arranger and producer whose work helped define some of the most adventurous music to emerge from Chicago-gave those songs an equally expansive setting. And then there are the voices. Behind Callier are Minnie Riperton, Kitty Haywood and Shirley Wahls, their harmonies becoming an essential part of the album's atmosphere. Stepney himself plays organ and harpsichord, with Lennie Pirani on piano, Sydney Simms on bass and Rob Crowder on drums. Recorded at Chicago's Ter-Mar Studios, this is very much a product of an extraordinary musical community gathered in one place at one time. At it's center is Callier: intimate one moment, soaring the next, turning everyday people, city streets, loneliness, faith and human connection into songs that feel almost cinematic. \"\"Ordinary Joe,\"\" \"\"Trance on Sedgewick Street,\"\" \"\"Do You Finally Need a Friend,\"\" \"\"Sweet Edie-D\"\" and the title track unfold less like a conventional collection of songs than interconnected scenes. The recurring \"\"Go Head On\"\" passages only deepen that feeling-as though Callier is walking us through his Chicago, stopping along the way to tell us who lives there and what they carry with them. The remarkable thing is how contemporary it still sounds. Folk becomes soul; soul opens into jazz; Stepney's arrangements drift toward psychedelia without ever overwhelming Callier's storytelling. Decades later, the record became part of Callier's rediscovery by the British rare-groove and acid-jazz audience, helping bring overdue attention to an artist whose influence and reputation had traveled much further than his original commercial success suggested. Slow Down Sounds is proud to bring Occasional Rain back to vinyl as an all-analog pressing sourced from the original analog tape, with lacquers cut by Kevin Gray and pressing by Record Technology, Inc. Those production details are especially meaningful for an album whose sound-the space around Callier's voice, Stepney's keyboards, the backing vocals and the texture of the ensemble-is such an important part of the experience. 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This clear red vinyl pressing makes a fitting physical object for music that rewards close, unhurried listening, the kind you give a record you actually pull off the shelf.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003chr\u003e\n\n\u003cp\u003eChicago alt-jazz polymath Sen Morimoto returns for their fourth LP Time Is On Your Side, out October 23rd on Sooper Records. Sen is a Japanese-American multi-disciplinary artist and producer in the jazz, alt-pop and rap scenes from Chicago to Japan. Morimoto's releases consistently hop from genre to genre, disparate influences bleeding together in dense arrangements and earnest lyricism.The 9 tracks on Morimoto's newest offering remain reliably unpredictable, fluttering from rootsy folk, to odd-meter funk and ambient jazz. The lush and careful arrangements mark a decided change in Sen's approach that finds their nostalgic songwriting and intimate vocals at center stage.Lyrically, Time Is On Your Side takes on the anxiety of the doom-scroll era with reassuring patience. \"\"I'm not fighting time anymore,\"\" Sen says, \"\"I treat it as an ingredient. Some of these songs only needed a pinch - a couple of improvised takes. Others sat fermenting for years until they became equal parts of my past and future. My hope is that it could inspire the freedom to slow down.\"\"The album features familiar faces from Morimoto's band of Chicago collaborators, Kaina Castillo, Ryan Person, Elijah Bradford and Brok Mende. 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The meeting of these two great artists took place at the \"\"Petit Journal Montparnasse\"\": sweltering heat, a packed room, and nearly 300 people left outside the door, disappointed at not being able to attend the concert.Francis Dreyfus and I became obsessed with recreating this extraordinary musical experience. Michel Petrucciani, constantly touring the globe, was rarely available. In July '93, Michel and Eddy found themselves face to face again at the Montreux Festival for a \"\"Dreyfus Night, \"\" in a sumptuous \"\"Summertime\"\" where the obvious complicity between these two great artists was already bursting forth.The long-awaited reunion finally took place on May 31, 1994, at the Maison de la Radio, before an attentive audience of friends, musicians, artists, and journalists from all the specialized media. After a warm and, oh, how enthusiastic welcome from all attendees, Eddy and Michel wished to preserve a recorded trace of their collaboration, which was captured over three magical evenings at the \"\"Petit Journal Montparnasse\"\" on June 14, 15, and 16, 1994.\u003c\/p\u003e \u003cdiv data-bt-autogen\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLes Grelots\u003c\/li\u003e\n\u003cli\u003eJean-Philippe Herbien\u003c\/li\u003e\n\u003cli\u003eAll the Things You Are\u003c\/li\u003e\n\u003cli\u003eI Wrote You a Song\u003c\/li\u003e\n\u003cli\u003eSo What\u003c\/li\u003e\n\u003cli\u003eThese Foolish Things\u003c\/li\u003e\n\u003cli\u003eAmesha\u003c\/li\u003e\n\u003cli\u003eSimply Bop\u003c\/li\u003e\n\u003c\/ol\u003e \u003cp\u003e\u003cstrong\u003eUPC:\u003c\/strong\u003e 3760434483783\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Diggers Factory\u003cbr\u003e\u003cstrong\u003eRelease Date:\u003c\/strong\u003e 10.16.26\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e LP Vinyl\u003c\/p\u003e\n\u003c\/div\u003e","brand":"relix.shop","offers":[{"title":"Default Title","offer_id":50286734737635,"sku":"332680432","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0819\/4834\/4547\/files\/Eddy-Louiss-PetruccianiMichel-Conference-De-Presse-LP-Vinyl.jpg?v=1790290241"}],"url":"https:\/\/findlyrecords.myshopify.com\/collections\/jazz.oembed","provider":"Findly Records","version":"1.0","type":"link"}